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Bob Rohm, C. W. Dykes,
Richard Satava, Christopher Rich, Chuck Rawle, Clyde
Pickett, Dane Ellsworth, Don Ward, Darlis Lamb,
David Williams, Dawn Waters Baker, ,Dorothy Long, Duke
Sundt, Gale Webb, Gary Jack Thornton, Gay Faulkenberry, Jan
Busse, Jeff St. John, Jerry Palen, John Budicin,
Joan Potter, Kathleen Cook, Kathy Hinson, Linda Morgan Louise
DeMore, Mark Stewart, Mike Windsor, Milbie Benge, Mitch
Caster, Natasha Downs, Peggy Kingsbury, Richard Hawley,
Richard Prather, Richard Satava, Robert Deurloo, Royce
Gilliland, Rusty Jones, Suzanne Owens, Thomas Woodward, William
Melstrom, Zhiwei Tu
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| Jerry
Ruthven
To see a larger image of the
painting, just
"click" on
the painting!
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 "Clear
Water Over Bedrock"
24" X 36"
Oil
$4900 |
 "Long
Shadows on Cow Creek"
24" X 36"
Oil
$4900 |
 "Old
Road on Bull Creek"
9" X 12"
Oil
$1350 |
 "Creekside"
9" X 12"
Oil
$1350 |
 "Falls
on Cow Creek"
9" X 9"
Oil
$900 |
 "Evening
Shower"
12" X 16"
Oil
$1440 |
 "Springtime
in the Hills"
9" X 12"
Oil
$1350 |
 "Springtime
Mist"
9" X 12"
Oil
$1350 |
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| Jerry
Ruthven A fifth generation Texan, Ruthven is
drawn to the land: its rich history and natural beauty. As a child growing
up in Blue Branch - just Blue to those who live in the tiny community
fifty miles east of Austin, he played in the deep woods and napped among
the fragrant groves of wild plums trees. He spent summer days jumping from
stone to stone along the creek crossings and applied his vivid imagination
to cloud watching. From the Indian arrowheads he found in neighbors'
plowed fields, he developed an interest in the area's early peoples and
their relationship to the land. Fishing pole in one hand and a sketch book
in the other, he could easily have been a Norman Rockwell painting for
Boys Life.
Unconsciously, he recorded the familiar
imagery in his visual memory and filled sketchbooks full of pencil
drawings. He collected "how to" books on painting and drawing; one in
particular was the catalyst that led him to a career in fine art - Walter
Foster's Robert Woods Paints Landscapes. "Wood," says Ruthven, "painted
Texas like Texas is. His colors were so sharp and real. Seeing his work in
that book had a tremendous impact on me. It was my starting point as a
painter."
Today after over three decades as a
professional artist, Ruthven continues to paint from the heart. He
approaches a canvas from sky to foreground, a process he learned from
studying Woods, and works until the imagery looks right - that is to say,
until the painting jells with his visual memory. Figuratively speaking, he
wants the viewer to walk through the painting and draws one in with focal
interest as simple as stones in a dry creek bed, a winding dirt road, or a
vanishing fence line - all elements that lead the eye through the painting
to the horizon. Since the details provide the finesse, they must be
accurate; so, he still spends many hours on location sketching and
refreshing his visual memory. How does the light hit the rock ledge? From
what perspective can the steepness of the cliff be portrayed. Endless
drawings give the answers.
Jerry Ruthven's Texas landscapes are more
than just an accurate depiction of the terrain's ruggedness or beauty. The
ever changing weather plays its part, too. Anyone - farmer, rancher,
outdoors man, gardener - who relishes the land learns quickly to read the
weather, to recognize its mood. It is Ruthven's ability to translate these
elements to canvas that adds life to his landscapes. His visual imagery
engages all our senses: we feel the sultry heat from the haze on the
horizon or smell the impending rain from the dark clouds rolling in from
the west.As an artist, Jerry Ruthven continues the legacy of Texas
landscape painting - a tradition established a century ago by Julian
Onderdonk. Perusing Onderdonk's archives, the similarity in imagery and
visual expanse are evident; the commonality is without a doubt the allure
of the region's vastness. In her book, The Onderdonks: a Family of Texas
Painters, Cecilia Steinfeldt noted that Julian (Onderdonk) not only
painted the Texas landscape, he interpreted its many moods. The same can
be said for Jerry Ruthven today.
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